Another idea of mine is to have physical transitions and moments throughout the play, where an ensemble group represent Scalret and her darkness. The moments are a metaphor for Lucy's relationship with Scalret.
I have taken inspsitstion from Artuad and the way her writes, often he would write large paragraphs of descriptive and visual text I'm which in director or reader would have to interpret what it meant. I would like to write my moments of physical work like this and allow the director to have create freedom.
Something I want to get from my workshop is a visual idea of how the ensemble would move with Lucy, how Lucy responds to them ect.
I want to include:
I want to include:
- Physical warm up
- Vocal warm up
- Music
- Text
- Improvisation
- Discussion
An important element of my workshop is music, in particular music during the warm up and warm down exercise as i have learnt from workshops that i have been in that music can help you to relax and be more expressive as it is less intense and can be a useful tool for evoking different feelings and emotions. Music is going to be a significant part of my play so it will be useful to see how the actors work with the music and see if it had an influence on them.
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